How Architects Get Published: Photography for ArchDaily, Divisare and Houzz

Many architects and designers want their work published, and few know that the photographs decide whether it happens. Editors receive far more projects than they can run. The ones that go through usually arrive with a complete, consistent set of images and clear information.

Each platform has its own submission guidelines, which change from time to time, so always check them before you send anything. These are the points I plan for on every shoot.

1. A complete story, not a few good pictures

Editors want to understand the building: how it sits on the site, how you move through it and how it is detailed. That takes exteriors, key interiors, transitions between spaces and a few close details.

2. One consistent look

Images should feel like one project: the same light logic, colour and framing. A mix of styles from different photographers or different days is a common reason for rejection.

3. High-resolution, well-corrected files

Straight verticals, accurate colour and clean files make a submission easier to use. I deliver edited images ready for upload.

4. Clean, finished spaces

Shoot when the project is complete and before it is heavily lived in. Clear the clutter, style lightly and make sure everything works.

5. The supporting information

Plans, sections, a short project description and full credits all matter. Agree early on how the photographer will be credited, since most platforms ask for it.

6. Plan the shoot with publishing in mind

Tell me before the shoot if you intend to submit. I will plan the shot list around what an editor needs rather than what a client brochure needs. The two overlap, but they are not the same.

Planning to submit a project? Send me the details through the contact form and I will build a shot list that supports it.